1. There is something that Proust has in common with Kafka and who
knows whether this can be found anywhere else. It is a matter of how
they use "I". When, Proust, in his Recherche du temps perdu, and
Kafka, in his diaries, use I, for both of them it is equally
transparent, glassy. Its chambers have no local coloring; every reader
can occupy it today and move out tomorrow. You can survey them and get
to know them without having to be in the least attached to them. In
these authors the subject adopts the protective coloring of the planet,
which will turn grey in the coming catastrophes. (WB)
2. Wind and storm coloured July. Also, in the middle, cadaverous, awful, lay the grey puddle in the courtyard, when, holding an envelope in my hand, I carried a message. I came to the puddle. I could not cross it. Identity failed me. We are nothing, I said, and fell. I was blown like a feather, I was wafted down tunnels. Then very gingerly, I pushed my foot across. I laid my hand against a brick wall. I returned very painfully, drawing myself back into my body over the grey, cadaverous space of the puddle. This is life then to which I am committed. (VW)
2. Wind and storm coloured July. Also, in the middle, cadaverous, awful, lay the grey puddle in the courtyard, when, holding an envelope in my hand, I carried a message. I came to the puddle. I could not cross it. Identity failed me. We are nothing, I said, and fell. I was blown like a feather, I was wafted down tunnels. Then very gingerly, I pushed my foot across. I laid my hand against a brick wall. I returned very painfully, drawing myself back into my body over the grey, cadaverous space of the puddle. This is life then to which I am committed. (VW)
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